
It was the Greek media who reported that Jasikevicius was considering an option to return to his hometown Kaunas. The player has an offer on the table and some kind of talks are under way.
“A point guard
of his quality would really come in handy for us. We’ve talked with Sarunas
about the possibility to play in
Zalgiris but there are many different details in negotiationing with a player
of this caliber and good intentions are not always enough,” said Paulius Motiejunas,
the club’s General Director.
The 34-year-old point guard is currently training individually and preparing for the new season on his own. According to sources it was the Panathinaikos head coach Zeljko Obradovic whose decision ended Saras’ playing days in Athens.
However, other reports claim that the whole of the management was fed up with Jasikevicius being out-of-form throughout the year and decided that it was time for the player to move on and continue playing elsewhere.
Jasikevicius’ primary option was always going to be returning to Barcelona where he made his name as one of the best playmakers in the game of basketball. That said, there is no way that Saras could hope for a place in the club’s rotation given his poor form and recent injury history.Despite being linked with another of his former teams – Maccabi Tel Aviv, the player isn’t likely to be joining the Israeli club for the same reasons.
The idea of Jasikevicius coming to Zalgiris can only be viewed as a indicator about where the player’s career has taken a turn to and that now it’s the name that could attract the interest from a bigger club rather than what the player has still got in the tank.
If there aren’t any unexpectedly big offers from other clubs, the chances to see Sarunas Jasikevicius playing for his childhood dream team at the age of 34 are more likely to happen than you could have thought at first.
Simonas Baranauskas is the senior writer for LithuaniaBasketball.com. You can follow him on twitter at @LithuaniaBasket. Information from kaunodiena.lt was used in the article.
















